BULLITT LIMITED EDITION 4K UHD

THERE ARE BAD COPS AND THERE ARE GOOD COPS - AND THEN THERE'S BULLITT. It''''s a mood, it''''s a look, it''''s the roar of an engine and the screech of tyres on asphalt. It''''s the car, it''''s the music, it''''s McQueen and his ice cool eyes. Fasten your seatbelt, Bullitt is back. When the star witness for a Senate hearing on organized crime is killed before taking the stand, federal prosecutor Walter Chalmers (Robert Vaughn) blames Lt. Frank Bullitt (Steve McQueen), the man tasked with keeping the witness safe. Now Bullitt is out to find the triggermen and bring down the kingpin behind them. But nothing is quite what it seems and as he digs deeper into the case, he himself becomes a target. An iconic action thriller with one of the greatest car chases ever put on film, impeccably directed by Peter Yates, Bullitt set the bar and would go on to influence Walter Hill (The Driver), Michael Mann (Heat), Quentin Tarantino (Death Proof), Christopher McQuarrie (Jack Reacher) and many more. 4K ULTRA HD LIMITED EDITION CONTENTS '>>' Brand new 4K restoration from the original 35mm camera negative by Arrow Films '>>' 4K (2160p) Ultra HD Blu-ray presentation with Dolby Vision (HDR10 compatible) '>>' Original restored lossless mono audio, plus lossless stereo surround audio '>>' Optional English subtitles for the deaf and hard of hearing '>>' Archive audio commentary by director Peter Yates '>>' Brand new audio commentary by film critics Jason Bailey & Matt Zoller Seitz '>>' The Sound of Cool, a brand new appreciation of Lalo Schifrin''''s iconic score by composer and historian Neil Brand '>>' Bullitt: Steve McQueen''''s Commitment to Reality, a vintage behind the scenes featurette '>>' Peter Yates at the BFI, an on stage interview with the director from 1996 '>>' The Cutting Edge: The Magic of Movie Editing, an archive feature-length documentary '>>' Theatrical trailer '>>' Image gallery '>>' Reversible sleeve featuring original and newly commissioned artwork by Ben Turner '>>' Collectors'''' booklet containing new writing by film critics Alexandra Heller-Nicholas and Priscilla Page