EYE

A compelling tale of a woman realizing the world around her is more terrifying than she ever knew. Following their explosive debut Bangkok Dangerous, directorial duo the Pang Brothers would catch the attention of acclaimed producer Peter Ho-Sun Chan, and the three would collaborate on one of the most memorable horror films to come out of Hong Kong, the chilling and poignant The Eye. When blind musician Wong Kar Mun (Angelica Lee) has her eyesight restored following a cornea transplant, she's initially astounded to discover the beauty of the world around her. Her nascent wonder soon turns to fear as her newfound sight becomes plagued with harrowing and uncanny visions. She confides in her psychiatrist Dr Wah (Lawrence Chou), who believes her body is just adapting to her new corneas. But his skepticism quickly shatters when they realize Wong Kar Mun's visions are not hallucinations, but grim portents of death. Perfectly balancing otherworldly scares with psychological terror, The Eye is a compelling tale of a woman realizing the world around her is more terrifying than she ever knew, memorably carried by Angelica Lee's award-winning performance. Bonus Materials 4K ULTRA HD BLU-RAY LIMITED EDITION CONTENTS Brand new 4K restoration by Arrow Films 4K (2160p) Ultra HD Blu-ray presentation in Dolby Vision (HDR10 compatible) Original lossless Cantonese DTS-HD MA 5.1 audio and stereo audio Optional English subtitles Reflections on The Eye, a brand new interview with producer Peter Ho-Sun Chan To See and to Feel: Vision, Empathy and the Feminine Ghost Story in The Eye, a brand new visual essay on the film by critic and horror specialist Heather Wixson An archival making-of featurette with interviews with producers Peter Ho-Sun Chan and Lawrence Cheng and actors Angelica Lee and Lawrence Chou An archival featurette on directors Danny and Oxide Pang Original theatrical trailers Image gallery Reversible sleeve featuring original and newly commissioned artwork by Tommy Pocket Collectors' booklet featuring new writing on the film by film critic and Asian cinema specialist Hayley Scanlon