KILLER OF SHEEP (THE CRITERION COLLECTION) [4K UHD]
Title
KILLER OF SHEEP (THE CRITERION COLLECTION) [4K UHD]
SKU
5634173
Catalogue No.
CC3676UHDBD
UPC
715515313315
Label
Genres
Release Date
May 27, 2025
Format
4K+Blu-ray
Packaging
4K Ultra HD + Blu-ray
No. of Discs
2
Region Coding
A,B,C (4K) A (Blu-Ray)
TV Standard
2160p
Aspect Ratio
1.33:1
Running Time
80
Weight
0.375
Price
$68 inc. GST
Ships From
Melbourne, AU
A quiet revelation of American independent filmmaking, Charles Burnett's lyrical debut feature unfolds as a mosaic of Black life in the Watts neighborhood of Los Angeles, where Stan (Henry Gayle Sanders), a father worn down by his job in a slaughterhouse, and his wife (Kaycee Moore) seek moments of tenderness in the face of myriad disappointments. Equally attuned to the world of children and that of adults, Burnett-acting as director, writer, producer, cinematographer, and editor-finds poetry amid everyday struggles in indelible images that glow with compassionate beauty. Largely unseen for decades following its completion in 1977, Killer of Sheep is now recognized as a touchstone of the groundbreaking LA Rebellion movement, and a masterpiece that brought Black American lives to the screen with an aching intimacy like no film before.
DIRECTOR-APPROVED 4K UHD + BLU-RAY SPECIAL EDITION FEATURES
New 4K digital restoration, approved by director Charles Burnett, with uncompressed monaural soundtrack
One 4K UHD disc of the film and one Blu-ray with the film and special features
Audio commentary featuring Burnett and film scholar Richard Pe a
New interviews with Burnett and actor Henry Gayle Sanders
New appreciation by filmmaker Barry Jenkins
Two short films by Burnett: Several Friends (1969) and The Horse (1973), with a new introduction to the latter by Burnett
Excerpt from the 2010 UCLA LA Rebellion Oral History Project, featuring an interview with Burnett by film scholar Jacqueline Stewart
A Walk with Charles Burnett (2019), a documentary by Robert Townsend
Cast reunion from 2007
Trailer
English subtitles for the deaf and hard of hearing
PLUS: An essay by critic Danielle Amir Jackson
