LE PETIT SOLDAT BD
Title
LE PETIT SOLDAT BD
SKU
5562017
Catalogue No.
CC3106BD
UPC
715515240215
Label
Release Date
Jan 21, 2020
Year Produced
1963
Director
Format
Blu-ray
Packaging
Blu-Ray Case
No. of Discs
1
Weight
0.35
Price
$56 inc. GST
Ships From
Melbourne, AU
Before his convention-shattering debut, Breathless, had even premiered, Jean-Luc Godard leapt into the making of his second feature, a thriller that would tackle the most controversial subject in France: the use of torture in the Algerian War. Despite his lack of political convictions, photojournalist Bruno Forestier (Michel Subor) is roped into a paramilitary group waging a shadow war in Geneva against the Algerian independence movement. Anna Karina (in her first collaboration with Godard, whose camera is visibly besotted with her) is beguiling as the mysterious woman with whom Forestier becomes infatuated. Banned for two and a half years by French censors for its depiction of brutal tactics on the part of the French government and the Algerian fighters alike, Le petit soldat finds the young Godard already retooling cinema as a vehicle for existential inquiry, political argument, and ephemeral portraiture in other words, as a medium for delivering truth twenty-four times per second.
Before his convention-shattering debut, Breathless, had even premiered, Jean-Luc Godard leapt into the making of his second feature, a thriller that would tackle the most controversial subject in France: the use of torture in the Algerian War. Despite his lack of political convictions, photojournalist Bruno Forestier (Michel Subor) is roped into a paramilitary group waging a shadow war in Geneva against the Algerian independence movement. Anna Karina (in her first collaboration with Godard, whose camera is visibly besotted with her) is beguiling as the mysterious woman with whom Forestier becomes infatuated. Banned for two and a half years by French censors for it's depiction of brutal tactics on the part of the French government and the Algerian fighters alike, Le petit soldat finds the young Godard already retooling cinema as a vehicle for existential inquiry, political argument, and ephemeral portraiture in other words, as a medium for delivering truth twenty-four times per second.
