MONA LISA (LIMITED EDITION)
Title
MONA LISA (LIMITED EDITION)
SKU
5690553
Catalogue No.
FCD2573
UPC
5027035027432
Label
Genres
Release Date
May 11, 2026
Format
4KUHD/Blu-ray
Packaging
4K UHD/Blu-ray
No. of Discs
1
Region Coding
Region Free
TV Standard
2160p
Aspect Ratio
1.85:1
Running Time
104
Weight
0.366
Price
$52 inc. GST
Ships From
Melbourne, AU
Five years after The Long Good Friday, Bob Hoskins returned to the gangster genre, but his character George is a mere underling this time, a chauffeur hired by a mesmerisingly slimy gangland kingpin (Michael Caine) to transport a high-class prostitute (Cathy Tyson) from client to client. When she enlists his help in tracking down an old friend, George finds himself exploring a hellish underworld that he never imagined existed.
Hoskins'''' immensely complex, subtle and moving performance hoovered up almost every Best Actor award going (Cannes, a BAFTA, a Golden Globe) and remains one of his greatest roles - a man sucked by circumstance into a life of crime but still righteous enough to seize the opportunity to do good when it presents itself.
Director Neil Jordan (The Company of Wolves, The Crying Game) and co-writer David Leland (Made in Britain) achieve a perfect blend of hard-edged realism and unexpected fantasy, with the regular appearance of the Nat King Cole title song turning seedy British locations (Soho, Brighton) into something far more romantically evocative.
4K ULTRA HD LIMITED EDITION CONTENTS
Brand new 4K restoration from the original camera negative by Arrow Films and approved by director Neil Jordan
4K (2160p) Ultra HD Blu-ray presentation in Dolby Vision (HDR10 compatible)
Newly restored original lossless English mono audio
Optional English subtitles for the deaf and hard of hearing
Audio commentary by Bob Hoskins and Neil Jordan
Interviews with director Neil Jordan, writer David Leland and producer Stephen Wooley
Original trailer
Reversible sleeve featuring original and newly commissioned artwork by Hannah Gillingham
Collectors'''' booklet featuring writing on the film by critic Mike Sutton
